At the Still Point of the Turning World: Black in America

May 15 - Aug 28, 2022

This exhibition combines the work of several artists responding to the tension between living with the status quo and imagining new futures. Through a wide range of media, At the Still Point of the Turning World: Black in America is a dynamic look at how we reconcile the past with the present and how visual art and music can be the catalyst for change.

Mark Rabideau, Associate Dean for Faculty and Student Affairs within the College of Arts & Media, is producing world-renowned pianist Awadagin Pratt’s forthcoming album, StillPoint (New Amsterdam Records, 2023). Inspired by T.S. Eliot’s poem Burnt Norton, Pratt and Rabideau engaged seven acclaimed composers to create new works for Pratt (piano), twice Grammy-nominated string orchestra A Far Cry, and the two-time Grammy-winning vocal ensemble Roomful of Teeth. Jasmine Abena Colgan is an American-Ghanaian artist who visually explores the legacy of the transatlantic slave trade through the use of cowrie shells, which were used as currency to enslave African people. College of Arts & Media students created video interpretations of StillPoint compositions, and their design treatments are also on view in the gallery. Through virtual reality headsets, there is also an excerpt of Pratt’s October 2021 performance, Black in America, at the King Center on the Auraria Campus.

Still Point Creatives

JASMINE ABENA COLGAN
Artist & Professor, CU Denver

Awadagin Pratt
Concert Pianist

Jasmine Abena Colgan

Jasmine Abena Colgan is an Ameri-Ghanaian artist, educator, scholar, entrepreneur and civil rights activist who was born in Colorado. Colgan completed her masters in Fine Arts from the University of Colorado Boulder in the Summer of 2020, and an undergraduate degree from the University of Colorado Denver. Jazz is a master printer with 19th century, historical photographic printing processes including; platinum & palladium, silver and gold.
 
In 2019, Colgan was a NEST fellow and collaborated with a Ph.D. Candidate in chemistry to successfully develop the Ghanatype; a gold printing method using raw material from Obuasi (Obuasi mine initiated the Trans-Atlantic Slave Trade). Her artwork is inspired from the contemporary diaspora of mixed culture in the social world; a woman who is black and white, Irish and Ghanaian,  African-American, but declares herself a part of the vitilgan race and a woman of colors.

In 2017, Jazz was awarded the “Face of Vitiligo” at a world conference, highlighting her successful social empowerment while conducting field research for her non-profit organization, Tough Skin.  She has been featured in publications such as PEOPLE magazine, was associated with TEDXMileHigh for Wonder: Women in Art Experience. Colgan has developed international relationships with several diverse communities and recently established Tough Skin into an enterprise that sources Shea Butter from Ghana to handcraft protective, organic skincare products.

Source: https://www.photographsbyjazz.com/about-the-artist

Awadagin Pratt

Among his generation of concert artists, pianist Awadagin Pratt is acclaimed for his musical insight and intensely involving performances in recital and with symphony orchestras.

Born in Pittsburgh, Awadagin Pratt began studying piano at the age of six. Three years later, having moved to Normal, Illinois with his family, he also began studying violin. At the age of 16 he entered the University of Illinois where he studied piano, violin, and conducting. He subsequently enrolled at the Peabody Conservatory of Music where he became the first student in the school’s history to receive diplomas in three performance areas – piano, violin and conducting. In recognition of this achievement and for his work in the field of classical music, Mr. Pratt received the Distinguished Alumni Award from Johns Hopkins as well as an honorary doctorate from Illinois Wesleyan University after delivering the commencement address in 2012.

In 1992 Mr. Pratt won the Naumburg International Piano Competition and two years later was awarded an Avery Fisher Career Grant. Since then, he has played numerous recitals throughout the US including performances at Lincoln Center, the Kennedy Center, Dorothy Chandler Pavilion in Los Angeles, Chicago’s Orchestra Hall and the NJ Performing Arts Center. His many orchestral performances include appearances with the New York Philharmonic, Minnesota Orchestra and the Pittsburgh, Atlanta, Baltimore, St. Louis, National, Detroit and New Jersey symphonies among many others. Summer festival engagements include appearances at Ravinia, Blossom, Wolftrap, Caramoor and Aspen and the Hollywood Bowl. Internationally, Mr. Pratt has toured Japan four times and performed in Germany, Italy, Switzerland, Poland, Israel, Columbia and South Africa.

Recent and upcoming appearances include recital engagements in Baltimore, La Jolla, Los Angeles, Pittsburgh, Ravinia, Lewes, Delaware, Duke University and at Carnegie Hall for the Naumburg Foundation; as well as appearances with the orchestras of Cincinnati, Indianapolis, North Carolina, Utah, Richmond, Grand Rapids, Memphis, Fresno, Winston-Salem, New Mexico, Rockford, IL and Springfield, OH. He also serves on the faculty of the Eastern Music Festival in Greensboro, North Carolina where he coaches chamber music, teaches individual pianists and performs chamber music and concertos with the festival orchestra.

Also an experienced conductor, Mr. Pratt has conducted programs with the Toledo, New Mexico, Vancouver WA, Winston-Salem, Santa Fe and Prince George County symphonies, the Northwest Sinfonietta, the Concertante di Chicago and several orchestras in Japan.

A great favorite on college and university performing arts series and a strong advocate of music education, Awadagin Pratt participates in numerous residency and outreach activities wherever he appears; these activities may include master classes, children’s recitals, play/talk demonstrations and question/answer sessions for students of all ages. He is also frequently invited to participate on international competition juries, such as the Rubinstein International Piano Master Competition in Israel, the Cleveland International Piano Competition, Minnesota e-Competition, the Unisa International Piano Competition in International Competition for Young Pianists in Memory of Vladimir Horowitz in the Ukraine.

In November 2009, Mr. Pratt was one of four artists selected to perform at a classical music event at the White House that included student workshops hosted by the First Lady, Michelle Obama, and performing in concert for guests including President Obama. He has performed two other times at the White House, both at the invitation of President and Mrs. Clinton.

Mr. Pratt’s recordings for Angel/EMI include A Long Way From Normal, an all Beethoven Sonata CD, Live From South AfricaTransformations and an all Bach disc with the St. Lawrence String Quartet. His most recent recordings are the Brahms Sonatas for Cello and Piano with Zuill Bailey for Telarc and a recording of the music of Judith Lang Zaimont with the Harlem Quartet for Navona Records.

Mr. Pratt is currently a Professor of Piano at the College-Conservatory of Music at the University of Cincinnati. He also served as the Artistic Director of the World Piano Competition in Cincinnati and is currently the Artistic Director of the Art of the Piano Festival at CCM.

Source: http://awadagin.com/bio/

Student Works

A Far Cry

  • StillPoint is a music project produced by the famous concert pianist Awadagin Pratt. Featuring well-known preforming artists and classical composers, this project aims to encapsulate T.S. Elliot's poem Four Quartet.

    Students were asked to create a short 60-120 second film that serves as a portrait of the participating artists and their contribution to the project.

  • Our objective was to introduce the Boston-based ensemble, A Far Cry, and highlight the group's most notable performance characteristics.

  • A Far Cry- StillPoint Feature is an abstract and visually-focused motion graphic piece dedicated to the Boston-based, self-conducted orchestra. Though the motion and visuals, we hope to educate the audience on who this group is, and their contribution to Awadagin Pratt's StillPoint project.

    Our vision was to take an abstract approach to the animation by using shapes, colors, and camera movements to show the rhythm of the music. Since the group reads each other's body language and motions while performing, we wanted to try and emulate this action through the fluctuating animations.

    Keeping the classy and elegant feel of the group, we decided to utilize the colors of the logo for the project.

Alex Lind, Melia McKinley, Brandon Tabaha, Jenna Samuelson

Paola Prtini & Alvin Singleton

  • This piece is a love letter to Paola and Alvin's compositions. We decided to use an abstract concept with portraits of the artists/ turning into vector images of them with their music playing in the background with bright colors. These combined help to highlight who they are and the work they created.

  • The content of this piece will feature Paola and Alvin’s portraits alongside their compositions. They will be expressive and captivating towards the audience. The visual style is line art, with portraits of the artists panning across the screen. The piece itself has an elegant and abstract feel to it with bright colors.

Anna Hayes, William Brian, Diana Harper, Stephanie Sanchez, Vivian Lu

City Boy

  • The objective of this project is to create a piece that while adhering to the guidelines set by the professors and Awadagin Pratt that focuses on a composer or group associated with StillPoint.

  • This project is intended to be a visual accompaniment to the music piece “City Boy” by Judd Greenstein. It will feature imagery closely related to him and his work, that being New York.

  • The intended audience would be people who listen to “City Boy” and often listen to Judd Greenstein’s music this includes those that could be considered music fans that enjoy watching music videos.

  • This piece features a collaboration of three different segments that use similar visual elements but tell different stories. All segments feature a red dot that prominently interacts with different elements within the pieces. Other shared elements include the color scheme, use of stock footage, and music related visual elements. These will play on top of a portion of Judd Greenstein’s music piece “City Boy” as a visual accompaniment.

Kathy Pham, Katie Nguyen, Thomas Abrew

Jessie Montgomery

  • This motion piece is a portrait of composer Jessie Montgomery who is featured in Awadagin Pratt’s StillPoint project.

  • The piece is inspired by Jessie Montgomery’s biography which is paired with some of Montgomery’s musical work. The visuals follow along with the feeling and beats of the music.

Shanica Jules, Samuel Meraz, Ruby Lopez

Jonathan Bailey Holland

  • This project aims to create a short piece that promotes the composer Jonathan Bailey Holland, who is a member of the StillPoint group.

  • The goal of this piece is to give representation to the emotional presence within Jonathan Bailey Holland’s work. Our piece is made up of three parts that express the energy of his music. The audio included starts with two high energy pieces and then transitions to a soft and slower piece. The style of the piece include both vector and hand drawn work.

Mimi Nguyen, Jackie Tran, Kysheem Burns

Lonely Angel

  • For this project our group had to create 1-2 minute motion piece that would be about Peteris Vasks or his work.

  • This motion piece is about Pēteris Vasks’ composition “Lonely Angel”. Vasks was inspired by a vision he experienced of an angel which he describes as follows: ‘The angel hovers over the world observing the state of the ravaged Earth with tears in his eyes, and yet an almost imperceptible, loving touch of his wings brings comfort and healing. This piece is a response to the pain.’ The composer treats the solo instrument as a human or more precisely super-human voice, a tonal representation of the lonely angel who hopefully watches untiringly over the world. Therefore we wanted to create an animation about that. We’ll have an angel who will go down to earth and see a lot of poverty and bad things and he will decide to help them.

  • We wanted to express sad and tense feelings, but at the same time we wanted to show hope in this animation. The color palette for this piece are simple, sad, and hopeful. To express these emotions, we chose to use red, black, grey, blue, white, and green colors. These feelings and color palette match Vasks’ composition and vision.

Ethan Hubchik, Tamta Khitirishvili, Arturo Gonzalez

Roomful of Teeth

  • The overall goal of this project is to create a portrait style video that will give a in depth look of the singing group “Roomful of Teeth” and their music. The aesthetic will illustrate the dreamlike visuals and their sound. All pieces of the project will be created or edited by me and my group. and will be featured in the Still point project.

  • The animation, “Fall Into Me” will consist of a black and white color pallet. Typographically, individual letters from the song’s lyrics assemble a futuristic city. This graphical decision empathizes A Roomful of Teeth’s slow methodical musical approach. Simple swiping editing transitions further empathize the songs dynamic yet lyrically static melody along with even lighting. The same minimalistic though-process also eliminates the need for sound effects. Rather, the songsnotes will carry the animation.

Lakshmi Cohen, Tatianna DuBose, Tessa McEvoy, Kelly Pham

Tyshawn Sorey

  • The StillPoint Project is a classical movement effort fronted by Awagain Pratt, and it is inspired by Pratt’s favorite T.S. Elliot poem, The Four Quartets. As Awadagin Pratt is an acclaimed pianist, this event will be highlighting other musicians and orchestras and their work as a “still point” for their life. This short animation will highlight Tyshawn Sorey involvement in the StillPoint project and bring forth a creative outlook on Tyshawn Sorey musical career.

  • This project’s goal is to create a motion piece that encapsulates the assigned artist, Tyshawn Sorey’s story and music journey for the StillPoint project. This can be a type of portrait highlighting the chosen artist, or a sort of music video to some of their musical pieces while relating back to the poem of T.S. Elliot’s, the Four Quartets, and the artist.

  • The Tyshawn Sorey project highlights the unique music of the American composer, multi-instrumentalist, and professor of contemporary music by creating abstract and colorful animations to visualize the beats, tones, and rhythms of his work. The animation will highlight masterful music pieces from TyshawnSorey and showcase a whole new way of personal expression. This project will enhance the experience one will feel when hearing Tyshawn Sorey’s compositions that combine jazz and classical music.

  • The ultimate goal of this short animation is to highlight Tyshawn Sorey’s unique style and musical attributes. There will be mainly abstract shapes, lines, and figures to match the personality of Tyshawn Sorey’s music. The visual style will overall be colorful and come alive in a 3-D space animation piece. Paired with the three-dimensional cameras, there will be moments of spotlighting to dramatize the depth and immerse the audience in the three-dimesional space. Our inspiration comes from Jazz posters and Sorey’s album covers. As for the color palette, it consists of bright and bold swatches to capture Sorey’s “groovy” and Jazz feel.

Shelby DiTrani, Jane Ly, and Aaron Maynez

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